–> The Globe and Mail, Canada’s most-circulated national daily newspaper, revealed its much-ballyhooed redesign on Friday. The paper is calling it “the most significant redesign” in its 166-year history, and it’s a billion-dollar bet on print at a time when the format’s fortunes would seem to be fading.
The renovations to “Canada’s National Newspaper” are part of what editor-in-chief John Stackhouse boldly calls his “Proudly Print” approach, with print as one component (with online and mobile) of a three-pronged news attack. The redesign tries to make the differences between print and web more clear. Full-color printing and a high-gloss wrap — the first of its kind in North America — aim to help lure advertisers. There’ll be more magazine-like stories, including photo-driven features plastered boldly on the front page. A slightly narrower size means shorter, punchier stories. And that’s not to mention the informational accoutrements, like sidebars and info graphs, and the litany of new inserts and content realignments. The redesign “once again demonstrates our commitment to the newspaper business,” according to publisher and CEO Phillip Crawley.
This is a big-time overhaul for the Globe, and not only because the paper sees it as a reassertion of dominance — i.e., shelling the struggling National Post, its conservative competitor since 1999, in the national newspaper war of attrition — over the Canadian media landscape.
But whenever a redesign happens, criticism follows. The prevailing question in this case is fairly obvious: Why invest in an 18-year, C$1.7-billion printing deal — with the same press as the San Francisco Chronicle — at a time when newsprint seems like yesterday’s medium?
“It’s going to be a millstone around the Globe’s neck,” says Mathew Ingram, a senior writer at GigaOm and former Globe web editor (and Lab contributor). “That’s 10 years you’re going to be paying for something that’s going to restrict the paper’s ability to do things that are focusing on the web. That’s not a thing a newspaper needs at a time like this.”
But the Globe sees its investment as a bet on print having a complementary role to online news going forward. “Our readers are digitally-minded people,” Stackhouse told me on launch day. “We publish a paper for people who are online a lot and still want a printed product at their doorstep every day to make sense of a world that flew by them while there were online.” Stackhouse, who took over as editor-in-chief in spring 2009 after a career as a business reporter, knows what he’s up against, and he’s making an argument about what a 21st-century newspaper needs to look like.
The Globe has always been the highbrow stalwart in Canadian journalism — and judging from its minimalist yet dramatic ad campaign, the paper still sees itself at the head of table. (For more proof, check out this nifty microsite.) Stackhouse uses the term “the daily pause,” when readers feel obligated to close their browsers and read insightful, show-stopping journalism. That’s what newspapers should strive to give their readers, he told me. He says there “needs to be more selection. We need to bring more insight to issues that matter most and focus on issues of consequence and try to have fun with it.”
The Globe, like most other newspapers, realizes there’s still money in print advertising. According to a profile of the Globe in last month’s Toronto Life magazine, the paper’s online component brings in roughly 15 percent of the revenue generated on the print side — not far off the totals for most large American newspapers.
Whether or not Crawley’s doubling-down strategy will work remains to be seen. Eighteen years is a long time. Critics wonder if placing such emphasis on print will limit the Globe’s ability to take the reigns of a slim Canadian online news market. The responses look a lot like this tweet, from Toronto-based technology consultant Rob Hyndman: “The Globe’s changes are about fear of loss, not about moving towards a positive goal.”
The Globe surely sees things differently. Its prime competitors — the National Post, the Toronto Star, and free dailies like Metro and 24 — are all print products. In fact, the paper’s weekday circulation jumped 5 percent last year and its print revenue increased 10 percent, while everyone else took a step backward. In Canada, the world of print is still the gladiator ring. The Canadian online news marketplace is underdeveloped: There’s nothing like Salon or The Daily Beast or The Huffington Post to draw eyeballs away from sites — GlobeandMail.com, CBC.ca, CTV.ca, GlobalTV.com — already affiliated with traditional news organizations. Speaking at the Economic Club of Canada on the eve of the launch, Stackhouse pinpointed four online competitors — The Huffington Post, Bloomberg, Yahoo Finance, and the BBC — none of which are Canadian. Without a sea of competitors galvanizing innovation and growth in Canadian online news, the Globe seems to think it makes sense to stick to the gravy — a move Ingram thinks is a mistake.
“Now is the time to seize the day, to become a leader,” he says, “because the Globe doesn’t have a huge amount of competition in print or online. It feels like it’s the only game in town — except maybe the CBC — and that lulls the paper into a false sense of security about its future.”